As part of Root sequence. Mother tongue (2017), Asad Raza’s show at the he invited series of guests to occupy the installation with choreographic, musical, and intellectual events for weekend visitors to the museum. Comprising mentors, friends, and younger creative practitioners, the group is a plurivocal portrait of the artist’s community. Asad Raza and Jennifer Jacquet discuss octopus, fish, shame, climate change, and other things.
Continue reading “Asad Raza’s Weekend Guests: Jennifer Jacquet”
Article at Oxford Research Encyclopedia.
Guilt has tended to align with the individualization of responsibility for climate change… Shame has been used…as a primary tactic against fossil fuel producers, peddlers of climate denial, and industry-backed politicians.
Read it here.
To go with this scholarly co-authored article explaining why Bivalves Are Better, a popular piece at The Guardian about why bivalve farming is the future of ethical aquaculture.
Jennifer Jacquet and Sunandan Chakraborty’s project at NYU was selected as one of 4 Grand Prize Winnersin the Wildlife Crime Tech Challenge, a USAID initiative that is being implemented in partnership with the National Geographic Society, the Smithsonian Institution, and TRAFFIC.